De Proposito
Res non verba
The project examines the presence and function of emblems in Polish Cistercian abbeys from the late sixteenth to the late eighteenth century. We treat the emblem not as ornament but as an instrument of thought and of monastic formation.
Aims
The project aims to produce a critical catalogue of the emblematic cycles preserved in Cistercian abbeys of the former Commonwealth, to identify the graphic and literary sources of individual compositions, and to describe how printed models travelled from emblem books onto walls, vaults, choir stalls and manuscript pages. The catalogue will be publicly available and multilingual.
Three research questions
- Which printed emblem books circulated in Cistercian libraries, and in what form did they reach the workshops executing the decorations?
- How does an emblem change when it moves from the printed page to the wall: what survives of the inscriptio, of the pictura, and of the subscriptio?
- Was there a distinct Cistercian emblematic repertoire, different from that of other orders active in the same period?
Methodology
The work rests on field and archival research: photographic documentation in situ, study of early printed books and of monastic inventories. The material is described according to the threefold structure of the emblem, which allows painted realisations to be compared with their printed models. Every source identification receives one of three attribution grades: certain, probable, open.
Schedule
Year one: library and archival research, construction of the data model. Year two: field documentation in the abbeys, publication of a working version of the database. Year three: comparative analysis, scholarly publications, release of the full catalogue with its index of motifs.
Team
Magdalena Ficoń
principal investigator
Magdalena Górska
academic supervisor
Funding
The project is funded by the National Science Centre, Poland, application number 593363. Host institution: the Pontifical University of John Paul II in Kraków.
Contact
Comments, corrections and information about emblematic cycles unknown to us are particularly valuable to the project.